The Death of Dynamic Range is an interesting piece about how dynamic range has been progressively more and more mashed in modern music production in the recent years. While this in itself isn’t exactly news, it’s interesting to see the examples and discussion. It’s also interesting to see how the same sound gets maximised quite differently for different formats and/or markets.
The article’s main point is that crushing the dynamic range into (or past) the clipping limit of the medium is destruction of the sound. Of course, it is, but so is using a distortion pedal. That said, it’s not such a “musical” usage of the effect and applying something to the whole mix isn’t the same as applying it to an element to create differentiation in tone colour. Anyway, it’s an interesting page.
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